The very vibrancy of our democracy is dependent on the information availability and use facilitated by the Fair Use Doctrine.
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In fact fair use rights to obtain and use a wide array of information are essential to the exercise of First Amendment rights. These traditional ‘fair use’ rights are at the foundation of the receipt and use of information by the American public.įrom the college student who photocopies a page from a library book for use in writing a report to the typical television viewer who records a broadcast for viewing at a later time to the prudent home computer owner who makes back-up copies of the information he has lawfully stored on his hard drive, we all depend on the ability to make limited copies of copyrighted material without having to pay a fee or obtain prior approval from the owner of the copyright prior to making the copy. The American public has traditionally enjoyed the ability to make convenience and incidental copies of copyrighted works without the necessity of obtaining the prior consent of the owner of the copyright.
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A Congressman named Rick Boucher is trying to protect fair use, and here’s what he has to say about it:
#Motu digital performer 8.07 mac
It is also at the heart of why we, as Mac owners, have a right to use CDs, iTunes, and an iPod in the way in which they were intended. The concept of fair use has been around for years, but recently it has been slowly and carefully eroded in the courts and in the halls of government by huge multi-national media conglomerates. My main complaint with record companies in particular is their methodology of obstructing consumer rights-along with the quiet elimination of “fair use”-in an attempt to protect corporate profits. If media companies get their way, however, the idea of a digital hub will become nothing but a pipe-dream. One reasons these topics are worthy of discussion is because we use Macintosh computers which, according to Apple and Steve Jobs, are now digital hubs in the “new digital lifestyle” that many of us are leading. Instead, I would like to talk about the philosophical and legal issues raised by the record companies’ copy-protection schemes. Some people have even reported serious damage to their beloved Mac after inserting one of these CDs.ĭealing with such a situation is a topic for another column. The problem with these CDs, however, is they totally lock up Macintosh computers when inserted (and to a lesser degree, PCs). The rationale is, if you can’t rip a song, you can’t trade it online.
![motu digital performer 8.07 motu digital performer 8.07](https://www.museumofmakingmusic.org/images/artifacts/performer3.jpg)
The intention, as stated by the record companies, is to prohibit the extraction of audio tracks into MP3 files. The CDs-sold in record stores and through vendors such as -supposedly play on regular CD players but not on computer CD-ROM drives. Recently the Macintosh world has been in an uproar over copy-protected music CDs.